Wednesday, August 31, 2011

Michael Ondaatje reviewed by Annie Proulx



As we read into The Cat's Table the story becomes more complex, more deadly, with an increasing sense of lives twisted awry, of misplaced devotion... full text

Reviewed elsewhere:
Ondaatje appears at Barnes and Noble Union Square on November 17th



Saturday, August 27, 2011

Waltzes



TAKE THIS WALTZ
Leonard Cohen

Now in Vienna there's ten pretty women
There's a shoulder where Death comes to cry
There's a lobby with nine hundred windows
There's a tree where the doves go to die
There's a piece that was torn from the morning
And it hangs in the Gallery of Frost
Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take this waltz with the clamp on its jaws

Oh I want you, I want you, I want you
On a chair with a dead magazine
In the cave at the tip of the lily
In some hallways where love's never been
On a bed where the moon has been sweating
In a cry filled with footsteps and sand
Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take its broken waist in your hand

This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and Death
Dragging its tail in the sea

There's a concert hall in Vienna
Where your mouth had a thousand reviews
There's a bar where the boys have stopped talking
They've been sentenced to death by the blues
Ah, but who is it climbs to your picture
With a garland of freshly cut tears?
Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take this waltz it's been dying for years

There's an attic where children are playing
Where I've got to lie down with you soon
In a dream of Hungarian lanterns
In the mist of some sweet afternoon
And I'll see what you've chained to your sorrow
All your sheep and your lilies of snow
Ay, Ay, Ay, Ay
Take this waltz, take this waltz
With its "I'll never forget you, you know!"

This waltz, this waltz, this waltz, this waltz ...

And I'll dance with you in Vienna
I'll be wearing a river's disguise
The hyacinth wild on my shoulder,
My mouth on the dew of your thighs
And I'll bury my soul in a scrapbook,
With the photographs there, and the moths
And I'll yield to the flood of your beauty
My cheap violin and my cross
And you'll carry me down on your dancing
To the pools that you lift on your wrist
Oh my love, Oh my love
Take this waltz, take this waltz
It's yours now. It's all that there is.









PEQUEÑO VALS VIENÉS
Federico García Lorca



En Viena hay diez muchachas,
un hombro donde solloza la muerte
y un bosque de palomas disecadas.
Hay un fragmento de la mañana
en el museo de la escarcha.
Hay un salón con mil ventanas.

¡Ay, ay, ay, ay!
Toma este vals con la boca cerrada.

Este vals, este vals, este vals, este vals,
de sí, de muerte y de coñac
que moja su cola en el mar.

Te quiero, te quiero, te quiero,
con la butaca y el libro muerto,
por el melancólico pasillo,
en el oscuro desván del lirio,
en nuestra cama de la luna
y en la danza que sueña la tortuga.

¡Ay, ay, ay, ay!
Toma este vals de quebrada cintura.

En Viena hay cuatro espejos
donde juegan tu boca y los ecos.
Hay una muerte para piano
que pinta de azul a los muchachos.
Hay mendigos por los tejados,
hay frescas guirnaldas de llanto.

¡Ay, ay, ay, ay!
Toma este vals que se muere en mis brazos.

Porque te quiero, te quiero, amor mío,
en el desván donde juegan los niños,
soñando viejas luces de Hungría
por los rumores de la tarde tibia,
viendo ovejas y lirios de nieve
por el silencio oscuro de tu frente.

¡Ay, ay, ay, ay!
Toma este vals, este vals del "Te quiero siempre".

En Viena bailaré contigo
con un disfraz que tenga
cabeza de río.
¡Mira qué orillas tengo de jacintos!
Dejaré mi boca entre tus piernas,
mi alma en fotografías y azucenas,
y en las ondas oscuras de tu andar
quiero, amor mío, amor mío, dejar,
violín y sepulcro, las cintas del vals



Monday, August 22, 2011

Illegal Drug Ecstasy Is The Latest Promising Cure For Cancer




Modified MDMA, also known as the euphoric drug Ecstasy, is now a viable therapy for several types of blood cancers, according to an article published in Investigational New Drugs.

Friday, July 29, 2011

Tuesday, July 26, 2011

R.I.P. Lucien Freud



Freud was thought of primarily as a painter of portraits, but though his subjects were often well-known people, he was no society portraitist in the manner of Sargent or Boldini. His purpose was not to flatter, and the starkness of his images, many of them highly detailed nudes, have few precedents in the art of the human form.

Freud documentary over at Biblioklept.

Thursday, July 21, 2011

Artaud Double Bill + The Society of the Spectacle

Created for the To Each His Own Cinema (Chacun son cinéma) anthology film commissioned for the 60th anniversary of the Cannes Film Festival, Artaud Double Bill showcases a wry critique of the evolving role of traditional cinema in the hands of the millennial generation.

Based on his 1967 book of the same title, Guy Debord's first feature-length film, The Society of the Spectacle, uses found footage and détournement in a radical criticism of mass marketing and its role in the alienation of modern society. 


At the Museum of Arts and Design.

Wednesday, July 20, 2011

Tuesday, July 19, 2011

Memos from the Besieged City: Lifelines for Cultural Sustainability

Memos from the Besieged City: Lifelines for Cultural Sustainability
- Djelal Kadir


Many of these cultural ancestors have forged their legacy for the future at their own peril—some persecuted, exiled, imprisoned, or burnt at the stake. These are lifelines that must be extended and cultivated, in turn, to ensure the sustainability of our own humanity and our legacy for future generations.

The author comments on his new book here.

Friday, July 15, 2011

Rage

In me there is a rage to defy
the order of the stars
despite their pretty patterns.
To see if Gods who hold forth now
on human thrones
can will away my lust
to dare
and press to order the anarchy
I would serve.

The silence between your words
rams into me
like a sword.

-Alice Walker


*     *     *


"If I had a dollar to spend for healthcare I'd rather spend it on a baby or innocent person with some defect or illness not of their own responsibility; not some person with AIDS..." says the healthcare official on national television and this is in the middle of an hour long video of people dying on camera because they can't afford the limited drugs available that might extend their lives      and I can't even remember what his official looked like because I reached in through the T.V. screen and ripped his face in half      and I was diagnosed with AIDS recently and this was after the last few years of losing count of the friends and neighbors who have been dying slow and vicious and unnecessary deaths because fags and dykes and junkies are expendable in this country      "If you want to stop AIDS shoot the queers" says the governor of texas on the radio and his press secretary later claims that the governor was only joking and didn't know the microphone was turned on and besides they didn't think it would hurt his chances for re-election anyways      and I wake up every morning in this killing machine called america and I'm carrying this rage like a blood filled egg and there's a thin line between the inside and the outside a thin line between thought and action and that line is simply made up of blood and muscle and bone and I'm waking up more and more from daydreams of tipping amazonian blowdarts in "infected blood" and spitting them at the exposed necklines of certain politicians or government healthcare officials or those thinly disguised walking swastika's that wear religious garments over their murerous intentions or those rabid strangers parading against AIDS clinics in the nightly news suburbs      there's a thin line a very thin line between the inside and the outside and I've been looking all my life at the signs surrounding us in the media or on peoples lips; the religious types outside st. patricks cathedral shouting to men and women in the gay parade: "You won't be here next year--you'll get AIDS and die  ha ha"      and the areas of the u.s.a. where it is possible to murder a man and when brought to trial one only has to say that the victim was a queer and that he tried to touch you and the courts will set you free      and the difficulties that a bunch of republican senators have in albany with supporting an anti-violence bill that includes 'sexual orientation' as a category of crime victims      there's a thin line a very thin line and as each t-cell disappears from my body it's replaced by ten pounds of pressure ten pounds of rage and I focus that rage into non-violent resistance but that focus is starting to slip my hands are beginning to move independent of self-restraint and the egg is starting to crack       america seems to understand and accept murder as a self defense against those who would murder other people and its been murder on a daily basis for eight count them eight [nine, ten...] long years and we're expected to quietly and politely make house in this windstorm of murder      but I say there's certain politicians that had better increase their security forces and there's religious leaders and heathcare officials that had better get bigger dogs and higher fences and more complex security alarms for their homes and queer-bashers better start doing their work from inside howitzer tanks because the thin line between the inside and the outside is beginning to erode and at the moment I'm a thirty seven foot tall one thousand one hundred and seventy-two pound man inside this six foot frame      and all I can feel is the pressure      all I can feel is the pressure and the need for release.


- David Wojnarowicz

Henry Rollins on dating



I will nibble your mukluks with my own teeth.

A Little Tooth

Your baby grows a tooth, then two,
and four, and five, then she wants some meat
directly from the bone. It's all

over: she'll learn some words, she'll fall
in love with cretins, dolts, a sweet
talker on his way to jail. And you,

your wife, get old, flyblown, and rue
nothing. You did, you loved, your feet
are sore. It's dusk. Your daughter's tall.


- Thomas Lux

the lost art of total recall

As a result, we no longer remember long poems or folk stories by heart, feats of memory that were once the cornerstones of most people's lives. Indeed, society has changed so much that we no longer know what techniques we should employ to remember such lengthy works. We are, quite simply, forgetting how to remember..


 

ps - well, no, these mnemonic devices were not initiated by British writer Ed Cooke. they were, in fact, born in antiquity, and have been used and developed throughout the ages.

The Mystique Of The Manual




Physical work makes us experience in the most exhausting manner, the phenomenon of finality.

budo



This video is also magnificently breathtaking.

Thursday, July 14, 2011

perra/bitch






I feel impotent, unable to change things, but this rage has sustained me, and I’ve watched it grow since I first became aware of what was happening. It’s like an engine—a conflict inside me that never yields, never stops turning, ever.

Regina José Galindo is an incredibly affecting, unsettling performance artist.

the official website of Regina José Galindo

 

Twin Peaks In Japan



Georgia Coffee ads employing Twin Peaks. See more at Flavor Wire.

Underneath The Bridge


Kurt Cobain’s hometown debates dedicating a bridge to him.

www police state





All you Facebookers best be cautious.

Christopher Walken reads Three Little Pigs



from open culture

narghile


WHY poem

kurt weill thursday

 




















interview with W. G. Sebald


listen here...

world's largest statue of jesús


Located in Swiebodzin, Poland.

Unless the even larger statue planned for construction in Croatia actually goes through.

Wednesday, July 13, 2011

bicycle fetishes


Rita Indiana y los Misterios

living la vida, loca


"The dismissal of Ricky’s coming out seems to be rooted in an U.S.-centric perspective where we have the opportunity to stop celebrating any queer image on TV and offer our critique."

preparation of the novel


As Raymond Federman once wrote, ‘everybody is writing a novel these days,’ even if, and perhaps because, ‘nobody knows why.’ We live in a world where the wish to write, or, more often, to have written, speaks only of some other, inner wish, whose sense is left unspoken. The novel, real or projected, achieved or abandoned, exists in the mind of its writer less as a literary object than as a wish underwritten by other wishes. In this sense, The Preparation of the Novel takes the measure not of a set of texts, but of a nested structure of desires.

Full text...